June 21 – 24, 1970, Part II: After the Morrison-Kennealy “Marriage”








Just in time for Halloween! Check out The Captured Dead by Jim Cherry, host and author of The Doors Examiner. available on Kindle or Kobo!

Jim Morrison and Alain Ronay, Paris, June 1970

After Jim Morrison supposedly married Patricia Kennealy in the Wiccan wedding ceremony he left for France. In most biographies it’s mentioned only in passing that Morrison went to Europe with Leon Barnard and visited Spain and Morocco. But they miss the most intriguing aspect of that visit, that Morrison toured the set of Jacques Demy’s film “Peau D’Ane.”

Jim Morrison, Paris 1970, after Patricia Kennealy

Jim Morrison, Paris 1970, after Patricia Kennealy

This trip was probably meant to be carefree and a distraction. Looming ahead of Morrison in August of 1970 was the obscenity trial stemming from the March 1, 1969 performance at the Dinner Key Auditorium. If you accept that Morrison and Kennealy married on the 21st, that was a Sunday. Morrison and Doors publicist Leon Barnard probably arrived in New York on Friday the 19th to deliver the tapes of “Absolutely Live” to the Elektra offices, and with their European vacation already planned, but with a few days to kill until the flight to Paris.

Perhaps Morrison had planned to call on Kennealy during the stopover, or perhaps the solstice wedding was already planned (Kennealy has said they had a rather romantic correspondence going). It could also have happened a little more spontaneously. Morrison and Kennealy spent Saturday together and in a rush of romance Morrison proposed, bought the matching Claddagh wedding rings, and Kennealy got everything together for the next day.

After the ceremony, Morrison fell ill that night and through Monday, either because of an already developing illness, or as Kennealy asserts, from the energies released in the intense ceremony. Morrison had recuperated by Tuesday (June 23) and would have rejoined Barnard for the flight to France, likely arriving in Paris on the morning of the 24th. Although the clip that captures Morrison on the set of “Peau D’ Ane” isn’t dated, it’s acknowledged that Morrison and Alain Ronay were there in late June, and that would favor the timeline above.

In Agnes Varda’s documentary “L’Univers de Jacques Demy” (she was married to Demy from 1962 until his death in 1990), Morrison is seen on the set of “Peau d‘Ane,“ walking the grounds with Alain Ronay. He signs an autograph for the son of actress Delphine Seyrig. While visiting the set it is probable Morrison met Catherine Deneuve, whom Demy used in many of his films. More interestingly for Morrison, the former UCLA film student and aspiring filmmaker, he may have also met French director François Truffaut, one of the pioneers of the French New Wave of cinema in the late ’50s and early ’60s.

Demy was inspired by the fantasy and fabulist possibilities presented by film, as well as imagery from iconic Hollywood films. “Peau D’Ane” represents Demy’s combination of interests and influences. The film is about a woman, Catherine Deneuve, who with the help of a fairy godmother disguises herself so she doesn‘t have to marry a man she doesn‘t love. “Peau D’Ane” was released in December 1970.

Originally published June 22, 2015.

Buying through Amazon.com helps The Doors Examiner! Thank you for reading The Doors Examiner! Please consider using our affiliate link when making your Amazon purchases. It doesn’t add a penny to your cost.
Amazon Canada | Amazon UK | Amazon España | Amazon France



If you find these articles informative, entertaining and valuable, leave a donation. It will help sustain the site and perpetuate it into the future. Thank you for your support!




Leave a Reply

2 Comments on "June 21 – 24, 1970, Part II: After the Morrison-Kennealy “Marriage”"

Notify of
avatar
Sort by:   newest | oldest | most voted
Siren007
Guest
Patricia Kennealy makes a lot of wild claims about Jim and all the letters, poems and drawings he sent her and the jewelry and books he supposedly bought and inscribed for her. But aside from photos of the jewelry engraved in Jim’s handwriting (no proof that it’s real or that he bought it) in her “memoir” she has never produced a single bit of evidence that this epic romance occurred. She whines about copyright laws preventing her from publishing the collection (Fireheart, she called it though she hasn’t mentioned it in DECADES now) but she is not prevented from posting… Read more »
wpDiscuz